“The most difficult aspect of this silk effect was pulling the silk out of the pillow,” he says. McGiveron’s students struggled with their chain flags in a different way. Thankfully, both times our tempos were moderate to slightly up-tempo, so it wasn’t too much of an issue for us.” “While you think they’d be good for ballads, they’re actually harder to use at slow tempos. “Because of the velocity needed, it’s hard to do long, slow movements,” Lewis notes. Music tempo and therefore movement speed can be a challenge with streamers and chain flags. “It’s hard not to feel repetitive, and tossing isn’t really an option, so you have to find other ways to reflect the musicality of the phrase.” “Choreography with both is somewhat limited,” she says. With both the streamers and chain flags, Lewis encountered difficulties in regard to choreography as well. “A less shiny material would probably work best.” “We did gold because it fit our color theme for the show, but it didn’t show up well ,” she says. Lewis also notes that her fabric choice-lightweight gold lamé-caused an issue. “I think we were moderately effective in overcoming, but if we had to do it over again, we might not have used the streamers and done strictly movement as we could have done more dynamic choreography.” “They didn’t end up being as visually impactful as I had hoped, and they were really hard to clean and create a uniform look,” she explains. Lewis ran into the exact opposite problem when Otsego got its streamers on the field. ![]() “ can help build up to that high point, but you also have to remember that a giant piece of cloth is going to make a big visual statement far before you even get to that musical hit, so you better make sure the soundtrack is supporting that,” he says. Pickett has seen this issue while adjudicating. “It’s possible to get out of sync where musically, or through drill and form, you are trying to convey one idea, but the visual choice isn’t supporting it,” Pickett cautions.īecause of their size, flyovers can cause problems by being too visible. Failure to fully understand the material being used-as well as failure to pass on that understanding to performers-can cause the desired impact to fall flat. Using different equipment and props can provide quite a challenge to designers and instructors. “ carry much the same visual weight as a regular flag, so that made a nice impact moment when they are revealed,” Lewis says. In their 2017 show, “March Off the Earth,” Lewis’ students concealed their chain flags in boxes, which they danced with around the field, before pulling them out for a sudden pop of color. Guard performers in the Monarch High School Marching Band in Louisville, Colorado, where McGiveron also teaches, pulled theirs out of pillows in their 2018 “Enchanted Tapestries” show for a surprise reveal. One of the unique characteristics of chain flags is the ability to conceal them in props. Both Lewis and McGiveron have also used chain flags-a flag silk with chain instead of a pole running through the sleeve.
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