Liturgical use: Year A – Lectionary 14 / Year C – 6th Sunday of Easter / Thanksgiving. “ God Be Merciful unto Us,” Daniel Pinkham. In the middle ‘B’ section, have AB sing the first statement of “Teach me your way, O Lord…,” and add ST on its repetition. Have full choir sing the outer ‘A’ sections. Quoting selected verses from Psalm 86, this anthem is simple yet creative. Liturgical use: Year A – Lectionary 11 and 15. *“ Bow Down Your Ear,” Aaron David Miller. The descant is difficult, but using only one or two sopranos will be sufficient. Have only men sing stanza 2, to create contrast. This hymn-like anthem features an accompaniment (stanzas 4-5) and outstanding descant written by John Rutter. Liturgical use: Year C – 4th Sunday in Lent, Lectionary 21. “ All My Hope on God Is Founded,” Herbert Howells/arr. While unison anthems are not plentiful (aside from those for children’s choir), here are some well-written selections to consider adding to your library: Let Streams of Living Justice (ELW 710).Let All Mortal Flesh Keep Silence (ELW 490).When in Our Music God Is Glorified (ELW 851).We Know That Christ Is Raised (ELW 449).Forgive Our Sins As We Forgive (ELW 605).Here are several excellent choices:ĭETROIT – This may be performed effectively by singing unaccompanied! Alternating women and men, having a soloist sing one stanza, adding an obbligato instrument, and using an alternate harmonization are ways to create an improvised anthem from the hymnal. But, where can you find good unison pieces? The first place to look is in the hymnal. Programming unison choral music is a wonderful way to enhance your choral program. Singing together in unison both underscores and illustrates the fact that we are individual members of one united body. Western music is rooted in unison singing, so unison choral music connects today’s worship with that of the distant past. Unison anthems provide a textural contrast to part singing, which helps listeners to take notice of them. In addition, unison pieces often feature finely crafted accompaniments. Most unison pieces bring basses and altos into their higher registers, which produces a strong sound. Unison anthems require singers to be keenly attentive. Unison singing is not easy-one singer’s slightest variations from the group are clearly perceptible. Rehearsing a unison piece allows the director to focus on vowel formation (which leads to good blend) without having to spend time teaching parts. This can be enormously helpful for those low-attendance Sundays! Unison pieces may be performed by any number of singers-from few to many. Used occasionally, though, unison choral singing offers several benefits to a church choir: The vast repertoire of SATB choral music is, undeniably, one of the church’s greatest treasures. And, all choral composers love to explore the endless creative potential inherent in SATB texture. Many choir directors choose repertoire because of good part-writing that leads to a rich choral sound. Most church choir members love to sing in parts-the challenge of learning one’s notes is a truly enjoyable experience.
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